1989—Peter Neumann-R

A—Ky—Clear, clean; assertive voice entrances; good balance with orchestra

A—Ch—Barbara Schlick; lightly operatic, bordering on meaningful

A—Gl—Joyous, upbeat; chorus have clear, assertive entrances, handle rapid runs well

A—LT—Monika Frimmer; Light, carefree, like a Maypole dance; playful, but not saucy or earthy

A—Gr—Serious, smooth

A—DD—Smooth, harmonious, languid, unhurried

B—QT—Smooth, hymnlike, neither painful nor indignant

A—Qu—good blending of voices; smooth, serious, lacks zing

A—JC— Same

A—CSS—Clear, assertive voice entrances, handle runs well; good climactic cadence

A—Cr—Joyous, if just a little restrained; good dialogue with orchestra; no chickens

A—Et—Barbara Schlick; Sweet, minimally affected, but lacks intimacy; singing primarily to herself; a little shrieky on some high notes

A—S—Broad, exultant, churchy; good voices, brass

A—H—Crisp, brisk entrances and runs

A—B—Smooth, integrated sound; voices lovely singly and together; serious; legato strings at B sound mushy

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