A—Ky—Broad, majestic, unhurried, soaring
A—Ch—Arleen Auger; angelic, unaffected beginning & end, becoming slightly strident and meaningful in middle
A—Gl—Joyous, vigorous, brisk, if not the cleanest articulation
B—LT—Frederica von Stade; Operatic, staid, doesn’t hear orchestra having fun
A—Gr—Severe, churchy, broad
A—DD—Good battle, circling & eyeing each other, then harmonious
A—QT—Jagged, painful, anguished, despite slightly faster tempo
A—Qu—Good voices individually & together; they’re having fun
A—JC—Same
A—CSS—Clear, crisp voice entrances; good climactic cadence
A—Cr—Stately, regal, slow; striding rather than galloping, but makes it work; no chickens
A—Et—Arleen Auger; gentle, tender, intimate; 1 to 1 love song; pace just a tich too fast to be dreamy; great cadenza; close second to McNair
A—S—Rafter-rattling, no holds barred, except brass hold back
A—H—Bright, jolly; quite fast, but chorus can handle itA—B—Shortest; exuberant, really happy to be together; legato strings at B