Probably R
A—Ky—Unhurried, like a processional; restrained, churchy, a little lacking in energy
A—Ch—Christiane Oelze; Tender vocalise; light on vibrato; emotionally detached
B—Gl—Joyous, but smooth; lacks punch; melismas a little muddy
C—LT—Jennifer Larmore; Operatic, strident, almost angry; a little flat (musically, not emotionally); at least the orchestra is light and frothy
A—Gr—Churchy, broad, a little restrained
A—DD—Difference of opinion, but not a battle; missed opportunity for the two very differently timbred voices; this would have been a better place for S2 to start out sounding angry
A—QT—Respectfully slow enough to convey pain, staggering, indignation
A—Qu—Good voices singly & together; smooth, but able to have some fun conversing
A—JC—Same
A—CSS—More smooth than assertive, but gains energy as it goes; good melismas here; good climactic cadence
A—Cr—Bright, regal; gallops nicely; Chickens only at 2
A—Et—Christiane Oelze; tender, sweet, love song; very slight detachment and one awkward breath in cadenza keep it from being quite a clone of her singing on Rilling (1991)
A—S—Finally, all stops out; rafter-rattling, uplifting; good brass
A—H—Energetic, joyous; good crisp entrances
A—B—Finally, all four voices give in to the good times, conversing animatedly with each other; detached strings at B