A—Ky—Light, smooth, flowing, tasteful
A—Ch—Patricia Petibon; tender, angelic, understated; voice has a slight edge
A—Gl—Vigorous, crisp, joyous
A—LT—Lynne Dawson; playful, flirty, flouncy tavern song; having fun with orchestra and listener; at m69, ad libs a turn, which the oboe winks right back (Bernius and Arman versions also do this)
A—Gr—Broad, severe, churchy
A—DD—S2 jumps right in with her dissent from her first entrance; good battle between “silver” and “golden” timbres
A—QT—Bouncy, swaying, no pain, no stagger
A—Qu—Bright, happy conversations; tenor gets a little lost in the background; S1’s highs are pure and without the edge present in her solos
A—JC—Same
A—CSS—Bright, crisp, assertive; trumpets miked up a bit too much; good climactic cadence
A—Cr—Vibrant, jolly; good orchestral presence, except chickens muted, even when they have no voices to compete with
A—Et—Patricia Petibon; shortest; sweet, tender love song; swaying, almost bouncy, definitely not dreamy; otherwise lovely voice still has that edge, especially on high notes
A—S—Shortest; joyful noise; breakneck pace works just fine, crisp entrances
A—H—Brisk, joyous, crisp
A—B—Upbeat, bright; singers all having a good time; tenor again is softest presence; detached strings at B