A—Ky—Flowing, churchy, unhurried
A—Ch—Gillian Keith; gentle, angelic; just a little more vibrato than it needs
A—Gl—Bright, joyous; slightly muddy melismas
A—LT—Tove Dahlberg; orchestra smooth, slightly restrained; vocalise follows suit, with a slight bounce at times
A—Gr—Severe, assertive
A—DD—Civil discord rather than outright battle to start, but at least has some tension; too much vibrato in both voices
A—QT—Staggering, mournful, painful—yay!
A—Qu—Good voice blending, good presence of tenor, good restraint of vibrato by sopranos, but no animation, no fun
A—JC—Same
A—CSS—Bright, upbeat; somewhat muddy melismas; orchestra subdued; good climactic cadence
A—Cr—Crisp, assertive, galloping; nice antiphonal effect of male and female voices; no chickens
A—Et—Gillian Keith; dreamy, unhurried pace; gentle, fresh, sweet, personal if not intimate; tenderer cadenza than the rest of the piece
A—S—Rafter-rattling singers, restrained orchestra;
A—H—Brisk, bright; crisp melismas
A—B—Jaunty pace set by orchestra; singers sound much more perky and involved with each other than in “Quoniam”; legato strings at B