1963—Wolfgang Gönnenwein-?

Probably R

A—Ky—Stately, serious, momentous

A—Ch—Edith Mathis; angelic, ethereal, never gets carried away; magical big jump without a breath; heavy rubato at end

A—Gl—Bright, joyous

A—LT—Helen Donath; fresh, open, buoyant, a bit too smooth; lacks attitude; maybe a maypole song

A—Gr—Assertive, snarly

A—DD—Good battle; can feel them eyeing each other initially, then growing in respect

A—QT—Painful, reproachful; good staggering; prominent orchestra; better without Fricsay’s rubato

B—Qu—Longest; good blend of voices; draggy, lacks energy, focus; strings a bit muddy

A—JC—Same

B—CSS—Voices not crisp; good climactic cadence; a little too much oboe in places

B—Cr—Good pace and volume, but lacks a little punch; chickens come through at 2

A—Et—Edith Mathis; vocalise; lovely violin sound; emotionally distant; a little strained on highest notes; awkward breaths in cadenza

B—S—Lacks a little punch; wants more brass and less timpani

B—H—Voices not crisp; too much oboe; doesn’t need rubato at end

A—B—Good blend of voices; detached strings at B; he can have his rubato at the end

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