A—Ky—Solemn, assertive, crisp; strings so detached, they’re almost staccato
B—Ch—Barbara Hendricks; operatic, meaningful, emotionally distant
A—Gl—Unhurried, drags a little; good, crisp voices, good dynamic contrast
B—LT—Pamela Coburn; operatic, showy, doesn’t notice orchestra having a good time
A—Gr—Forthright, energetic
B—DD—Operatic, important, unhurried, unenthusiastic
B—QT—Dancelike, but crisp dotted notes maintain at least a sense of indignation
C—Qu—Slow, smooth, soporific; tenor tends to get lost behind sopranos
A—JC—Same
A—CSS—Serious, dignified; well-punctuated voice entrances; good climactic cadence
A—Cr—Energetic, full of zing and exuberance, joyful shouts; chickens 2, but not 1 or 3
B—Et—Barbara Hendricks; operatic, meaningful, emotionally distant; dramatic volume swells; high notes a little harsh; breathing points a little too obvious
A—S—Broad, reverent; good voices, good brass
A—H—Clear, crisp voice entrances; joyful
A—B—Smooth, harmonious, gentle, unhurried; voices lovely singly and together; strange combination of legato and detached strings at B