1991—Andrew Parrott-M

Shortest overall time—47:13

A—Ky—Shortest; restless, matter-of-fact; lyrical, songlike rather than hymnlike

A—Ch—Nancy Armstrong; shortest; vocalise; neutral, but lyrical & accessible

A—Gl—Assertive, upbeat, smooth, restrained

A—LT—Dominique Labelle; accessible, folklike, has some fun with it; in B, oboe too shy

A—Gr—Shortest; Broad, songlike; serious enough, but lacks reverence

A—DD—Not quite a battle, but at least a serious discussion, resolved amicably

B—QT—Smooth, flowing, lyrical; no pain, no stagger

A—Qu—Voices very good singly & together; animated, happy conversations

A—JC—Same

A—CSS—Bright, upbeat; crisp entrances; good climactic cadence

A—Cr—Bright, smooth, so much so that the attitude of trumpets and timpani is wasted; chickens come through at 2

A—Et—Nancy Armstrong; tender, intimate; fast pace makes it a bit too breezy; lovely voice, lovely cadenza, but her staccato phrasing at mm 74-76 shreds the sweet mood

A—S—Fast pace leaves churchiness behind; still joyous & uplifting

A—H—Shortest; jolly, fun, upbeat

A—B—Voices excellent singly & together; happy & rapturous; legato strings at B

Plainchant filling out of “Credo” is inoffensive, but plainchant “Agnus Dei” kills Mozart’s ending

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