A—Ky—Broad, churchy
A—Ch—Bozena Harasimowicz-Haas; gentle, intimate, heavenly; most excellent
A—Gl—Upbeat, joyous
A—LT—Katarzyna Suska; transparent, accessible, folklike, but serious, tight; orchestra are having fun, at least
A—Gr—Serious, hymnlike
A—DD—Smooth, integrated, lovely, but no battle
B—QT—Quick, dancelike; no pain, no stagger
A—Qu—Upbeat, fun; S1 tends to dominate other voices
A—JC—Same
B—CSS—Energetic, upbeat; orchestra could be more prominent; lackluster climactic cadence
A—Cr—Crisp, galloping, joyous; no chickens
A—Et—Bozena Harasimowicz-Haas; gentle, intimate; pure tone just a trifle sharp at times; don’t like her studied diction at beginnings of words; trend toward shrillness on high notes; lovely cadenza
A—S—Bright, exultant
B—H—Muddy; voices don’t come across crisply; too much trombone
A—B—Brisk, bright; good blending of voices, who are having a good time conversing; S1 tends to dominate, as in “Quoniam”; detached strings at B