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    • K.139
    • K.49
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    • K.66
    • K.140
    • K.167
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    • K.194
    • K.262
    • K.220
    • K.258
    • K.259
    • K.257
    • K.275
    • K.317
    • K.337
A Listener's Guide to the Masses of Mozart
 
  • Home
  • K.427
  • Cantata Mass Trends
    • Introduction
    • “Old” Salzburg
    • Dresden
    • Mannheim
    • “New” Salzburg
    • Berlin
    • Vienna
    • A Note About High Notes
    • Mozart Family Travels
  • Resources
    • Timeline
    • Text
    • Sources
    • Durations
    • A Note from Salieri
  • Masses
    • MYSTERY
    • LEOPOLD
    • K.139
    • K.49
    • K.65
    • K.66
    • K.140
    • K.167
    • K.192
    • K.194
    • K.262
    • K.220
    • K.258
    • K.259
    • K.257
    • K.275
    • K.317
    • K.337
A Listener's Guide to the Masses of Mozart
Home Lists

Lists

Performing Editions

Editions of the 427 completed by different scholars

Recordings by Edition

Which editions have been recorded by which conductors

Recordings by Year and Edition

Which composers have recorded which editions

Mass Times

Full times of movements by conductors

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GREAT MASS, K.427

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Preface

Mass

Lists

Reflections

Reviews

BACKGROUND

Cantata Mass Trends

LISTENER’S GUIDE

    • MYSTERY
    • LEOPOLD
    • K.139
    • K.49
    • K.65
    • K.66
    • K.140
    • K.167
    • K.192
    • K.194
    • K.262
    • K.220
    • K.258
    • K.259
    • K.257
    • K.275
    • K.317
    • K.337

RESOURCES

Timeline

Text

Sources

Durations

A Note from Salieri

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